Michael Snow Movies

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a...

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second...

Exhausted by a sexually frustrating home life in the Bronx, portly, 65-year-old Uncle Bojo tosses aside all responsibilities, leaves his wife,...

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

Interview and profile of experimental filmmaker Michael Snow from 1983. Includes extracts from 'Back and Forth', 'Wavelength', 'La Region Central',...

MICHAEL SNOW UP CLOSE was produced on the occasion of The Michael Snow Project, a major, career-spanning, multi-venue retrospective of the artist....

Using concert footage of the free-improvisation ensemble he co-founded in 1974, Snow digitally weaves together images and sounds from performances...

"Homage to Michael Snow's environmental sculpture 'Blind.' The film proposes analogies, in imitation of three historic montage styles, for three...

This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant...

Reel 5 of Gérard Courant's on-going Cinematon series.

Solar Breath (2002) is a 62-minute loop of fluttering curtains that reveal and conceal an idyllic landscape in rural Newfoundland.

A 1971 experimental Canadian film directed by Michael Snow. Shot in the Canadian mountains over a period of 24 hours using a robotic arm.

English and French words flash individually over a black background.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my...

A continuous zoom traverses the space of a breakfast table, serving as a grand metaphor for indigestion.

A shorter, significantly altered version of Wavelength (1967), where the original film is overlayed upon itself.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

This performance piece by filmmaker Hollis Frampton, recorded in 1968 in New York City, features the voice of artist Michael Snow. Frampton would...